LOVE (2019)

Let us then trust the other, in an embrace that he would like to be eternal, a loop born of the difficulty of (re) finding oneself. In this work, again through the datamosh technique (typical of the artist’s recent production) and the de-gradation of the image through compression, the aesthetic side of the effect is preferred over the dynamic side created by the decomposition of images in sequence. The photographic rendering, almost pictorial, makes the prota-gonists one with the lake in which they are immersed, undecided whether to take a simple bath or to be drowned in a time that seems eternal.